Mozart, Clara Haskil / Arthur Grumiaux - Sonaten Für Klavier Und Violine = Sonatas For Piano And Violin, KV/K.301, 304, 376, 378, 454, 526 Scaricare

Tracklist

Versioni

Crediti

• Composed By – Wolfgang Amadeus Mozart
• Illustration – J. Ziegler
• Lithography – Ed. Lehmann
• Painting – Lange
• Photography By – Hertha Ramme
• Piano – Clara Haskil
• Violin – Arthur Grumiaux

Note

Liner notes in German, English, French

Printed in The Netherlands

Codici a barre

• Other (Boxed, back cover upper right vorner): 30
• Matrix / Runout (Label side A): 835 103.1 Y
• Matrix / Runout (Label side B): 835 103.2 Y
• Matrix / Runout (Label side C): 6599 805.1 Y
• Matrix / Runout (Label side D): 6599 805.2 Y
• Matrix / Runout (Runout side A): AA 835 103 1Y3 670 11 03
• Matrix / Runout (Runout side B): AA 835 103 2Y 4 670 11 8 03
• Matrix / Runout (Runout side C): AA 6599 805 1Y 1 ℗1956 670 0311
• Matrix / Runout (Runout side D): AA 6599 805 2Y 1 ℗1956 670 03114

Album

Sonata In B Flat Major For Piano And Violin K. Allegro Amadeus Mozart 1756-1791 The Sonatas for Piano and Violin. Sonata for Piano and Violin in F Major, . Mozart - Sonatas for Piano and Violin Presentation Century's recording : Haskil, Grumiaux - Продолжительность: 52:26 Classical Haskil's piano is recorded a little bit in the background and in what sounds like a more acoustically warm sounding space. Arthur Grumiaux's violin is recorded more in the foreground and sounds more lively, for lack of a better term. Somehow, this works wonderfully. Deux ans plus tard ils captent ces quatre sonates supplémentaires : , , et . Héritier direct de la tradition franco-belge de Vieuxtemps et d'Ysaye, disciple d'Enesco, Arthur Grumiaux se distingue par sa sonorité radieuse et son classicisme magistral un style fait de sobriété et de pureté, dans une quête incessante de perfection sonore. Vinyl - LP - used -, - philips - 5835 103 - France - Clara Haskil, piano - Arthur Grumiaux, violin - - Mozart Sonatas for violin and piano en si bémol majeur KV 378 en mi mineur KV 304 - - en fa majeur KV 376 en sol majeur KV Haskil. 11 January . Mozart - 4 sonatas for piano and violin. Violin Sonata in E Minor 5. Tempo di minuetto Clara Haskil, piano Arthur Grumiaux, violin Contents: Violin Sonata KV 378 1. Allegro moderato 2. Mozart - 4 Sonatas for Piano and Violin KV 301304376 & 378. Tempo di minuetto Clara Haskil, piano Arthur Grumiaux, violin Contents: Violin Sonata KV 3. Clara Haskil Arthur Grumiaux. or open in our Desktop app. Sonate für Klavier und Violine in E Minor, KV 378: I. Clara Haskil. Wolfgang Amadeus Mozart: Concerto For Piano No. 27 In B Flat Major, KV595, Piano Sonata No. 10 In C Major, KV330. Schumann: Works for Piano Live. Schumann: Kinderszenen, Waldszenen, Abegg, Variations, Piano Concerto in A. Beethoven : Sonatas For Violin and Piano No. Beethoven Violin Sonatas Nos. Arthur Grumiaux. Mozart: Piano Concerto . Wolfgang Amadeus Mozart. Andantino sostenuto e cantabile. Sonata No. 21 in E minor, K. KV 304. The G Major Sonata is the first of a group of six sonatas for piano and violin K301 - K306 composed in Mannheim and Paris during the course of the tour undertaken by Mozart and his mother during 1777 and 1778. The genesis of their composition apparently derived from early in the tour while the couple were in Munich in the fall of 1777. On October 6, 1777, Mozart explained in a letter to his father how he had come across a set of violin sonatas by the Dresden Kapellmeister Joseph Schuster 1748 - 1812: I send my sister herewith six duets for clavicembalo and vio. Allegretto grazioso. Clara Haskil, Arthur Grumiaux, Wolfgang Amadeus Mozart. Appears on the albums. Piano Sonatas. Clara Haskil, Arthur Grumiaux. Mozart: Sonates pour violon et piano K. Arthur Grumiaux, Clara Haskil. 1959 Mono Version. Mozart: 4 Violin Sonatas for Piano and Violin, , 21, 24 & 26. 4 Sonatas For Piano And Violin, KV 301, 304, 376 & 378. Recorded Basel, . from the cover . After the piano had successfully overcome its initial teething troubles, the violin was no longer required as a stand-by meanwhile, however, the development of this genre had continued uninterruptedly, which meant, at least so far as the violin was concerned, that this instrument was being allotted an increasingly independent role. This finally led to a new art form, the duo sonata, in which both instruments are treated on terms of absolute equality. Sonata K