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Lana Del Rey - Ultraviolence Scaricare
Interprete:
Lana Del Rey
Album:
Ultraviolence
Stile:
Pop Rock, Ballad
Rilasciato:
13 Jun 2014
Paese:
Germany, Austria, & Switzerland
Etichetta:
Vertigo, Universal Music Group
Catalogo:
3786615
Dimensione FLAC:
2105 mb
Dimensione MP3:
1127 mb
Dimensione WMA:
1445 mb


Tracklist


1 My Way Up To The Top
Drum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Seth KaufmanEngineer – Collin DupuisMellotron – Leon MichaelsMixed By – Robert OrtonPedal Steel Guitar – Russ PahlPiano – Leon MichaelsProducer – Dan AuerbachSynthesizer – Leon MichaelsWritten-By – Daniel Heath, Lana Del Rey
3:32
2Ultraviolence
Backing Vocals – Alfreda McCrary Lee, Ann McCrary, Lana Del Rey, Regina McCraryDrum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Seth KaufmanEngineer – Collin DupuisMellotron – Leon MichaelsMixed By – Collin Dupuis, Dan AuerbachPedal Steel Guitar – Russ PahlPiano – Leon MichaelsProducer – Dan AuerbachSynthesizer – Leon MichaelsWritten-By – Daniel Heath, Lana Del Rey
4:11
3Money Power Glory
Bass Guitar – Greg KurstinDrums – Greg KurstinEngineer [Additional] – Alex Pasco, Julian BurgGuitar – Greg KurstinKeyboards – Greg KurstinMixed By – Greg KurstinProducer – Greg KurstinWritten-By – Greg Kurstin, Lana Del Rey
4:30
4Old Money
Arranged By – Daniel HeathEngineer – Milton GuitérrezEngineer [Assistant] – Andy ZisakisMixed By – Robert OrtonOrchestrated By – Matthew McGaugheyProducer – Daniel HeathWritten-By – Daniel Heath, Lana Del Rey, Robbie Fitzsimmons
4:31
5West Coast (Radio Mix)
Bass Guitar – Tom HerbertBass Guitar, Guitar [Mexican], Chamberlin, Mellotron – Rick NowelsDrum Programming – Ajay Bhattacharya, Kieron MenziesDrums [Live Drums] – Brian Griffin Electric Guitar – Rusty Anderson, Tim PierceEngineer – Chris Garcia , Jordan Stilwell, Kieron Menzies, Trevor YasudaMixed By – Robert OrtonOrgan – Patrick WarrenPercussion – Per EklundPiano – Rick NowelsProducer – Rick NowelsProducer [Assistant] – Blaise ThomasWritten-By – Lana Del Rey, Rick Nowels
3:49
6Cruel World
Drums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan Engineer – Collin DupuisHandclaps – Dan Auerbach, Leon Michaels, Maximilian Weissenfeldt, Nick Movshon, Seth KaufmanMellotron – Leon MichaelsMixed By – Robert OrtonPedal Steel Guitar – Russ PahlProducer – Dan AuerbachSynthesizer – Leon Michaels, Seth KaufmanWritten-By – Blake Stranathan, Lana Del Rey
6:40
7The Other Woman
Drums – Nick MovshonElectric Guitar – Kenny Vaughan Engineer – Collin DupuisMellotron – Leon MichaelsMixed By – Robert OrtonPedal Steel Guitar – Russ PahlProducer – Dan AuerbachSaxophone – Leon MichaelsSynthesizer – Dan Auerbach, Leon MichaelsWritten-By – Jessie Mae Robinson
3:01
8Brooklyn Baby
Acoustic Guitar – Kenny Vaughan , Russ PahlBacking Vocals – Seth KaufmanDrums – Maximilian Weissenfeldt, Nick MovshonElectric Guitar – Dan Auerbach, Seth KaufmanElectric Upright Bass – Nick MovshonEngineer – Collin DupuisMellotron – Leon MichaelsMixed By – Robert OrtonPedal Steel Guitar – Russ PahlPercussion – Leon Michaels, Seth KaufmanProducer – Dan AuerbachTambourine – Leon MichaelsTenor Saxophone – Leon MichaelsWritten-By – Barrie O'Neill, Lana Del Rey
5:51
9Pretty When You Cry
Drums – Brian Griffin Engineer – Phil JolyGuitar – Blake StranathanMixed By – Robert OrtonProducer – Blake Stranathan, Lana Del Rey, Lee Foster Written-By – Blake Stranathan, Lana Del Rey
3:54
10Shades Of Cool
Drum Programming – Collin DupuisDrums – Maximilian WeissenfeldtElectric Bass – Nick MovshonElectric Guitar – Dan Auerbach, Kenny Vaughan , Russ PahlEngineer – Collin DupuisMellotron – Leon MichaelsMixed By – Robert OrtonOmnichord – Seth KaufmanProducer – Dan AuerbachWritten-By – Lana Del Rey, Rick Nowels
5:42
11West Coast
Backing Vocals – Lana Del ReyDrums – Maximilian Weissenfeldt, Nick MovshonElectric Bass – Nick MovshonElectric Guitar – Dan AuerbachEngineer – Collin DupuisProducer – Dan AuerbachShaker – Dan AuerbachSynthesizer – Dan AuerbachTwelve-String Guitar [Acoustic] – Dan AuerbachWritten-By – Lana Del Rey, Rick Nowels
4:16
12Sad Girl
Acoustic Guitar – Russ PahlDrums – Nick MovshonElectric Guitar – Dan Auerbach, Seth KaufmanEngineer – Collin DupuisEngineer [Vocals] – Kieron MenziesMellotron – Kenny Vaughan , Leon MichaelsMixed By – Robert OrtonProducer – Dan AuerbachProducer [Vocals] – Rick NowelsSynthesizer – Collin Dupuis, Dan Auerbach, Kenny Vaughan Written-By – Lana Del Rey, Rick Nowels
5:17


Versioni


CategoryArtistTitle (Format)LabelCategoryCountryYear
B0020991-02Lana Del Rey Ultraviolence ‎(CD, Album, Dlx)Polydor, Interscope RecordsB0020991-02US2014
noneLana Del Rey Ultraviolence ‎(CDr, Album, Promo)Interscope Records, Polydor, Universal Music FrancenoneFrance2014
B0020962-02Lana Del Rey Ultraviolence ‎(CD, Album, Dlx, Tar)Polydor, Interscope RecordsB0020962-02US2014
3786541Lana Del Rey Ultraviolence ‎(CD, Album)Polydor, Interscope Records3786541Europe2014
3788049Lana Del Rey Ultraviolence ‎(CD, Album, Dlx, Ltd)Vertigo3788049Germany, Austria, & Switzerland2014


Crediti


  • DesignMat Maitland
  • ManagementBen Mawson, Ed Millett, www.tapmgmt.com
  • Mastered ByGötz-Michael Rieth (tracks: 12), John Davis (tracks: 1 to 11)
  • Photography ByNeil Krug
  • Photography By [Additional]Myan Soffia
  • VocalsLana Del Rey


Note


℗ & © 2014 Lana Del Rey, under exclusive license to Vertigo/Capitol, a division of Universal Music GmbH.
Made in the EU.

[Locations:]
Track 1: recorded at Easy Eye Sound, Nashville, TN, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 2: recorded and mixed at Easy Eye Sound, Nashville, TN, USA. Mastered at Metropolis Studios, London.
Track 3: recorded at Easy Eye Sound, Nashville, TN, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 4: recorded at Easy Eye Sound, Nashville, TN, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 5: strings recorded at The Bridge, Glendale, LA, USA.
Track 6: vocals recorded at The Green Building, Santa Monica, USA. Recorded at Easy Eye Sound, Nashville, TN, USA. Mixed at Hot Rocks Studios.
Track 7: recorded at Electric Lady Studios, NYC, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 8: recorded at Echo Studio, Los Angeles, CA, USA. Mastered at Metropolis Studios, London.
Track 9: recorded at Easy Eye Sound, Nashville, TN, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 10: strings recorded at The Bridge, Glendale, LA, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 11: recorded at Easy Eye Sound, Nashville, TN, USA. Mixed at Hot Rocks Studios. Mastered at Metropolis Studios, London.
Track 12: mastered at eastside mastering studios, Berlin.

[Publishing:]
Track 1: published by Copyright Control/Sony/ATV Music Publishing.
Track 2: published by Songs Publishing/Sony/ATV Music Publishing.
Track 3: published by R-Rated Music administered by EMI April Music Inc. (ASCAP)/Sony ATV Music Publishing Ltd.
Track 4: published by Copyright Control/Sony/ATV Music Publishing Ltd.
Track 5: published by R-Rated Music administered by EMI April Music Inc. (ASCAP)/Sony ATV Music Publishing.
Track 6: published by R-Rated Music administered by EMI April Music Inc. (ASCAP)/Sony ATV Music Publishing.
Track 7: published by Copyright Control/Sony/ATV Music Publishing.
Track 8: published by Kurstin Music/EMI April Music Inc. (ASCAP)/Sony ATV Music Publishing.
Track 9: published by Songs Publishing/Sony/ATV Music Publishing.
Track 10: published by Songs Publishing/Sony/ATV Music Publishing.
Track 11: published by Edward Kassner Music Co. Ltd.
Track 12: published by EMI Music Publishing / R-Rated Music administered by EMI April Music Inc. (ASCAP).

Issued in a standard clear jewel case with a 16-page booklet.


Codici a barre


  • Barcode (Text): 00602537866151
  • Barcode (Scanned): 602537866151
  • Label Code: LC14513
  • Rights Society: BIEM/SDRM
  • Matrix / Runout (First line): [4 x Universal logo]
  • Matrix / Runout (Second line): 06025 378 661-5 01 # 53542989
  • Mastering SID Code (Variant 1 & 2): IFPI LZ87
  • Mould SID Code (Variant 1): IFPI 0125
  • Mould SID Code (Variant 2): IFPI 0126
  • Other (CD cat.-no.): 00 6025 378 661-5 1


Aziende


  • Phonographic Copyright (p) – Lana Del Rey
  • Copyright (c) – Lana Del Rey
  • Licensed To – Vertigo/Capitol
  • Record Company – Universal Music GmbH
  • Published By – Copyright Control
  • Published By – Sony / ATV Music Publishing
  • Published By – Songs Music Publishing
  • Published By – R-Rated Music
  • Published By – EMI April Music Inc.
  • Published By – Kurstin Music
  • Published By – Edward Kassner Music Co. Ltd.
  • Recorded At – Easy Eye Sound Studios, Nashville, TN
  • Recorded At – Bridge Recording
  • Recorded At – The Green Building, Santa Monica
  • Recorded At – Electric Lady Studios
  • Recorded At – Echo Studio, Los Angeles, CA
  • Mixed At – Hot Rocks Studio
  • Mixed At – Easy Eye Sound Studios, Nashville, TN
  • Mastered At – Metropolis Studios
  • Mastered At – Eastside Mastering Studios
  • Designed At – Big Active
  • Pressed By – EDC, Germany – 53542989


Video



Album


Ultraviolence is the third studio album by American singer and songwriter Lana Del Rey, released on June 13, 2014 by UMG Recordings. Despite originally dismissing the possibility of releasing another record after her major-label debut Born to Die 2012, Del Rey began planning its follow-up in 2013. Production continued into 2014, at which time she heavily collaborated with Dan Auerbach to revamp what she initially considered to be the completed record. The project saw additional contributions from. Ultraviolence - Lana Del Rey. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Lana Del Rey. 50 видео Воспроизвести все Микс Ultraviolence Full AlbumYouTube. Radiohead: Acoustic is the third studio album and second major-label studio album by Lana Del Rey. It was officially released on June 13, 2014, by Universal Music Group. After having commercial success with her first major-label album, Born to Die, Del Rey re-released it accompanied by a standalone EP, Paradise, in late 2012. Del Rey presumably began working on her second studio effort around this time. She was photographed in a recording studio on January 27, 2013 in Los Angeles, California. She stated. 2012s Born to Die, Del Reys major-label debut, is a woozy collection of siren songs that mimics Peggy Lees gauzy romanticism by way of Mazzy Star. Two years later, Del Rey is still a sad tomato. Ultraviolence is a melancholy crawl through doomed romance, incorrigible addictions, blown American dreams. Ultraviolence is Lana Del Reys second studio album following her highly publicized debut with Born To Die. A notable departure from her orchestral and hip-hop debut, the album features prominent string based instrumentations. Lyrically, the album is more of a concept creation rather than a narrative and see Lana addressing topics ranging from break-ups, vanity and even California. Lana has said that the album had to undergo a complete rework after she met producer Dan Auerbach, who convinced her to change production. The album went on debut at 1 on the Billboard 200 albums chart and is still. Album 2014 15 Songs. Musing on dark themes-the corruption of power, money, and, of course, violence-Del Rey offers a hypnotic set of darkly tempered songs. Текст песни: He used to call me DN That stood for deadly nightshade Cause I was filled with poison But blessed with beauty and Del Rey, the creation of singer and songwriter Lizzy Grant, is all alone. Shes an utterly distinctive figure in popular music-not part of a scene, with no serious imitators-and befitting someone completely off on her own, shes lonely. But here shes found the perfect musical vehicle for her vision. Ultraviolence sounds tragic and beautiful-darkly-shaded ballads are what she was created to make, and this album is nothing but, a Concept Album from a Concept Human. The first section of the album is so gorgeous and rich, Ultraviolence at first seems better than it is. The maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona. What managed to get overlooked by many was that Born to Die made such a polarizing impression because it actually offered something that didn't sound like anything else