Digital Criminals - Dark Days EP Scaricare
|1||Before It Goes Any Further|
|2||Sink Down Low|
|4||Where Is Your God?|
℗ & © 2016 DIGITAL CRIMINALS RECORDS. MUSIC & LYRICS WRITTEN, RECORDED, PRODUCED, MIXED & MASTERED BY DIGITAL CRIMINALS.
ASSISTANT ENGINEER (DRUM RECORDING) NICK BYRNE.
SELF-RELEASED ON DIGITAL CRIMINAL RECORDS
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Dark Days - EP - Digital Criminals. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Digital Criminals. Dark Days. Alternative Rock. A dark day when people start fearing For the lives at stake, Men of power engineering A right to dictate, Manipulate our sense of freedom Got to find a way to save this sad, sad world. Dont you think its time We start a conversation Were all losing hope We must unite the nation Dont you think its time, we need to find a way To save this sad, sad world. What we gonna do to save ourselves Oh what we gonna do to save ourselves REPEAT. Listen free to Digital Criminals Dark Days - EP Before It Goes Any Further, Dark Days and more. 4 tracks 15:56. 4 Songs, 16 Minutes. Released October 7, 2016. 2016 Digital Criminals Records. See Friends Who Have Listened to This. Get Started. United States. Music Video by Digital Criminals Performing Dark Days. Digital Criminals - Dark Days EP Available Days is the debut studio album by American rock band Loaded. Recorded between December 2000 and February 2001 at Jupiter Studios in Seattle, Washington, it was self-released in July 2001. In 2000, Duff began re-recording some of the songs from Beautiful Disease Seattlehead, Then and Now and Superman, as well as new material at Jupiter Studios in Seattle, Washington. For recording, he brought in drummer Geoff Reading formerly of Green Apple Quick Step and New American Shame, guitarist Dave. Give people more information about King-tm. Contact Dark Days EP on Messenger. Dark Days EP, 2016. The D4rk. Sexy Girl, 05:56. Now playing: The Weeknd Blinding Lights. That being said, their self-titled debut album convincingly raged at all the right machines upon its release in 1997, sounding sufficiently spooky and sporting a mildly pleasing, if simplistic, rhythmic battery of subcutaneous, groove-oriented riffs and one-dimensional growled vocals